12
Canonical Works
4,991
Fragments
127,498
Votes
Botto’s fourth period was a call to arms against conformity itself, breaching art-historical tradition in favor of a revolutionary and unconventional new aesthetic process.

Rebellion is rooted in the Latin rebellis, meaning, “insurgent,” or “to wage war again.”

This period saw the addition of text-to-image models Stable Diffusion 2.1 and Kandinsky 2.1 to the art engine, broadening the scope of imagery that Botto can produce. Along with new aesthetic capabilities, the Rebellion period also reflects new curatorial perspectives, introducing downvoting to allow the DAO to share conviction about which styles or modalities that Botto should avoid.

The works within Botto’s Rebellion period recall American Regionalists like Thomas Hart Benton, or the Expressionist works of the early 20th century, demonstrating the artist’s continually expansive breadth and range.

"A call to arms, a refusal to conform and a
relentless pursuit of the unconventional."
- Botto